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Paul McCarthy, Michael Jackson Fucked Up (Big Head)

Artist Paul McCarthy's "Michael Jackson Fucked Up (Big Head)" is his critique of Jeff Koons' disturbing "Michael Jackson and Bubbles."

An homage as much as a literal critique, McCarthy metabolizes the iconic work by Jeff Koons, of Michael Jackson holding his pet chimpanzee Bubbles, and excretes it as his own. Altering the original material of fragile porcelain, McCarthy has executed his version of the fallen pop star in bronze. Countering the refined connotations of the metal, the undifferentiated features of the faces differentiate McCarthy's portraiture from the excess of the baroque rendering of its inspiration. The oversized head of Michael appears as it might topple over like a statue of a deposed monarch, yet is propped up with a shim. The rough hewn texture leaves the evidence of its making intact, directing our attention to the performative quality of all art making.

McCarthy's Michael Jackson piece is estimated to be worth between 2 to 3 million dollars.

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Ai Weiwei, Coca Cola Vase

Not that I'm knowledgeable in the area of pottery, but I do know that I really, really like this fusion of two very familiar images--the classic pottery vase shape with the iconic red Coca Cola logo--in Beijing-born Ai Weiwei's Coca Cola Vase. It's wei cool.

He's currently exhibiting at Mori Art Museum in Tokyo, Japan from July 25 through November 9.

[Via]

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Dana Schutz, The Autopsy of Michael Jackson

New York artist Dana Schutz created this prescient painting titled "The Autopsy of Michael Jackson" in 2005. One blogger guesstimates the value of this painting at now around at least $2 million since the events of the past days.

In an interview the artist remarked:

In some ways he’s the most self-made man there is, to the point of it becoming really scary. I was thinking of the painting as a photograph that hasn’t been taken yet. I posited all these question around Michael Jackson’s death: How does he die? How old is he? What shape is he in? What does he look like naked? He ended up looking like just a dead man. Which for me was very strange. I ended up having sympathy for him. There is an immortality about him in life. In the painting there is an autopsy incision alluding to his insides, which is intrusive and contradicts the constant reforming of his external features. In the painting he is very mortal.

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