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Celebrity

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In Defense of Kanye

Choire Sicha writes:

Don't bother apologizing, Kanye. The thing about the Incoming High Impact Kanye is that it was nearly the only honest note of the night.

And The Wall Street Journal blog asks, "Is it just us, or is this situation approaching the backlash to the backlash stage?"

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Michael Jackson Public Domain Countdown

The winner of the Michael Jackson Monument Design Competition is the Michael Jackson Public Domain Countdown Clock by artist Evan Roth aka fi5e.

The monument is a digital display which counts down to the moment when all of Michael Jacksons’ creative content will enter the public domain. In 70 years when the clock reaches zero it will play Billy Jean on loud speakers, making it the first time the song is played free of copyright.

[Via]

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Natalie Portman Likes Dirty Rap

From Interview Magazine:

GYLLENHAAL: Your affection for dirty rap is something that people really don’t know about you, which I think is fascinating. You do incredible things for the world, and then you listen to just completely obscene hip-hop music.

PORTMAN: Really, really obscene hip-hop. I love it so much. It makes me laugh and then it makes me want to dance. Those are like my two favorite things, so combined . . . I’ve been listening a lot lately to “Wait (The Whisper Song)” by the Ying Yang Twins, where the lyrics are like, “Wait ’til you see my dick”—which is just amazing because it’s whispered. [whispers] “Wait ’til you see my dick . . . ” [laughs] Crazy. So I just listen to it like I’m a five-year-old, like, “Oh my god! I can’t believe he just said that!”

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Paul McCarthy, Michael Jackson Fucked Up (Big Head)

Artist Paul McCarthy's "Michael Jackson Fucked Up (Big Head)" is his critique of Jeff Koons' disturbing "Michael Jackson and Bubbles."

An homage as much as a literal critique, McCarthy metabolizes the iconic work by Jeff Koons, of Michael Jackson holding his pet chimpanzee Bubbles, and excretes it as his own. Altering the original material of fragile porcelain, McCarthy has executed his version of the fallen pop star in bronze. Countering the refined connotations of the metal, the undifferentiated features of the faces differentiate McCarthy's portraiture from the excess of the baroque rendering of its inspiration. The oversized head of Michael appears as it might topple over like a statue of a deposed monarch, yet is propped up with a shim. The rough hewn texture leaves the evidence of its making intact, directing our attention to the performative quality of all art making.

McCarthy's Michael Jackson piece is estimated to be worth between 2 to 3 million dollars.

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